Видео

😂

Triste. Ma bellissimo.

Foss is the pianist on Munch's set of the Brandenburg Concerti - of course, he plays only in No. 5. One of my favorite versions, by the way.

How very rude was the person coughing and sneezing over and over again. He really should have had the courtesy to leave the concert hall. Were the ushers on strike?

Mike Wallace is not fit for the task of interviewing Horowitz- it's none of his business what Vladimir gets paid- he can't take the conversation anywhere-

Mi permetto di correggere la data indicata. Credo che la registrazione di questo disco ( Columbia QCX 10162) non possa essere successiva al 1956. Forse il brano qui riprodotto non proviene dal disco ma da una registrazione fatta appositamente per la RAI ?

Wgat the piece at 14:17 ?

Un grandissimo!! Artisticamente ed umanamente!

In the 1950s his peak was both technically flawless and artistically supreme

Perfect song to remember a perfect girl

Tipo is superior to Argerich.

Spectacular Scarlatti 💜

Esiste una edizione moderna di questa Suite?

The word that always comes to mind when listening to a performance by Arturo Benedetti Michelangel is : "Aristocratic".

33:37 3rd movement

What a lovely man Horowitz was, What a jerk Mike Wallace was, such stupid questions.

Comme on dit en français, tout coule de source sous les doigts de Fiorentino: quelle merveille de clarté, musicalité, simplicité! 🙏

Il più grande di tutti i tempi ❤

Karajan rückt David Oistrach viel zu sehr "auf die Pelle".

👏🏿👏🏿

Io c ero... Grandi Marvulli e Fiorentino... stupendi ❤

Semplicemente, Fiorentino 🙏

What were the last two pieces he played?

He is married with Chopin. Chopin would fall in tears hearing him. He is so wild BUT WITHOUT AGGRESSION. ONLY HUMBLE CAN PLAY THIS POLONAISE

It looks like Horowitz but is actually LIBERACE !!

Sublime.......

Great Interview!

👏👏

that damn smile

Fabulous music spectacularly performed!

Wonderful music, taking whole soul! Thank you for presenting thiis masterpiece.

Thanks for this video, my grandfather Jaap Stotijn played first oboe in these concerts. Toscanini invited him to the orchestra. He certainly was not Jewish but one of the great oboïsts of that era.

He was a wonderful conductor, an amazing artist. I’ll never forget the concerts conducted by Maestro Giulini I had the privilege to attend in Barcelona long time ago. I forgot the year he passed away, I would be thankful if you could let me know!

Bellissima ❤

Sona tutta un brivido-...!!

Aparte de su inmensa cultura, hombre inquieto, su biblioteca en el museo a su memoria refleja su afán de crecimiento como ser humano en lo espiritual...gran orgullo nuestro, uno de los mejores intérpretes de Beethoven, Schubert, Schumann, Chopin, Liszt....

I knew Stokowski conducted America premieres of Carl Orff's Trionfo di Afrodite (Houston, 2 April 1956) and the third completed version of Ein Sommernachtstraum (19 July 1956, Empire State Music Festival), but I had no idea Nänie und Dithyrambe had been performed in America at all! I'm so grateful for another recording of this highly underrated setting of Friedrich Schiller-the tempo in "Dithyrambe" is wild! Edit: Too bad he can't be bothered with all three strophes....

the piece starts at 3:06

Questa è musica

Dodecafonische stlyle in 20th century

Thank you for uploading this masterpiece!!! Far sophisticated and intense work than I have imagined!!! Thanks again!!! And, the performance itself sounds as though Wilhelm Furtwängler conducting Saint Cecilia Orchestra on September 9th, 1948 in Edinburgh Festival!!! Its intensity and concentration and total devotion to the music!!!

❤

Very fine. One stylistic thing that bothers me-- there was a time when people realized that Bach's dotted rhythms didn't have to be exactly 3:1. This was taken as an injunction to overdot, which these guys all do in the last movement. But another solution is to make the 16th note more of a triplet, so it would mesh with what comes underneath. You can still emphasize each entry without making an artificial hiccup. Oh, well. That was 60 years ago, and tastes change.

Цимерман гений!Восхищаюсь его интерпретациями Бетховена,Шуберта, Шопена,Грига,Шумана,Брамса,Листа,Равеля,Рахманинова ... вот уже 30 лет.

the best musician of the 20th century

Il Secondo Brandeburghese ha un meraviglioso senso di scoperta, quasi di improvvisazione, e al tempo stesso un'impressionante coesione formale - la sua logica interna si sente con una chiarezza abbacinante. E i fiati devono essere stati tutti felici di potersi scatenare a quel modo.

Timeless performance.

なんて素晴らしい演奏でしょう! 1つ１つの音がまるでクリスタル・ガラスのように美しく、濁りが無く、きらびやかなピアノ。 活動休止の9年間の時のコンサートですね。 まったく何もしなかった訳ではなく、少しは活動されていたので、今、私達はこの素晴らしい録音が聴くことが出来て、幸せです✨ 貴重な録音をアップロードしていただき、ありがとうございました❤

When I read in the newspaper back in 1982 that Rubinstein had died, it was like the end of the world for me. I missed his final performance in Rome -- of his farewell tour of Europe -- because the tickets sold out too quickly. But thanks to technology, we have what Richard Strauß called "Death and Transfiguration". Rubinstein, Rudolf Serkin, and Wilhelm Kempff were the inspiration of my younger years. After hearing Serkin perform Beethoven in 1971, I returned to playing the piano. After decades away, I returned again at age 69. At 72, I spend the days of my retirement playing mostly Beethoven, Mozart, & Brahms. Living alone is a blessing. I live with the music I am practicing and mastering -- finally, in old age, when I can focus on music, and not on earning a living.

Questa è veramente straordinaria... soltanto il mormorio iniziale è da togliere il fiato, talmente scorre naturale e "vero" rispetto alla sciatteria di altri grandi e meno grandi del podio. Questa magia si mantiene inalterata per l'intera durata, e posso davvero capire chi di loro provasse soggezione al cospetto di Ferrara. E tutto questo non con i Berliner o Wiener Philharmoniker, ma con l'Orchestra del Maggio Fiorentino. Un Gigante rimasto inespresso...